№ files_lp_4_process_3_128041
Scholarly essay discussing transcription as a sculptural research method through an archival engagement with Carl Plackman’s drawing and its reinterpretation within a contemporary sculptural practice.
Author: Sheila Gaffney
Discipline: Sculpture; Contemporary Art Theory
Subject: Archival practice, transcription as artistic method, sculptural thinking
Key figure referenced: Carl Plackman (1943–2004)
Institutional context: Huddersfield Art Gallery
Educational context: Slade School of Fine Art; Camberwell School of Arts and Crafts
Art historical context: British sculpture in the late twentieth century
Related exhibition: Beyond Appearances: The Sculpture of Carl Plackman 1943–2004
Referenced theorist: Christopher Bollas
Referenced publication: The Shadow of the Object: Psychoanalysis of the Unthought Known
Referenced artwork: Civilisation as Barbarism (1984)
Practice-based project: To the Table
Research method: Transcription drawing using axonometric projection
Document type: Scholarly essay / artist research reflection
Price: 8 / 10 USD
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