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LoveU Buffalo Art Park call for proposals inviting artists to create permanent sculptures and murals reflecting themes of self-love, hope, and community pride.
Year: 2026
Location: Buffalo, NY, USA
Theme: Public art, community empowerment, positivity
Document type: Call for artists / announcement
Organization: River Rock Community Coalition, Inc. (RRCC)
Target audience: Professional and emerging artists, individual or collaborative teams
Submission deadline: March 1, 2026
Project scope: Sculpture and mural installations of any size
Funding: Public and private support, equitable artist compensation
Artistic direction: Positivity, love, empowerment, resilience, mental wellness, community pride
Contact: [email protected]
Price: 8 / 10 USD
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Mural at Lynnwood Community Garden/Senior Center – Call for Artists
Year: 2026
Region / City: Lynnwood, WA
Topic: Public Art, Murals
Document Type: Call for Artists
Organization: City of Lynnwood
Author: Fred Wong
Target Audience: Artists, Artist Teams
Period of Action: April 5, 2026 (Application Deadline), May 28, 2026 (Selection), June 2026 (Design), July-August 2026 (Painting)
Approval Date: N/A
Modification Date: N/A
Context: A call for artists or artist teams to create a mural at the Lynnwood Community Garden/Senior Center with themes of local history, gardens, and intergenerational connections, to be completed by summer 2026.
Stone and Bonethe Corpse, the Effigy and the Viewer in Late-Medieval Tomb Sculpture
Year: 15th century
Region / city: Northern England
Theme: Art History, Medieval Tomb Sculpture, Death and Mortality
Document type: Scholarly Article
Organization / Institution: British Library
Author: Jessica Barker
Target audience: Scholars, Art Historians, Medieval Studies Enthusiasts
Period of validity: 15th century
Approval date: Not specified
Modification date: Not specified
Altered States Open Air Sculpture Exhibition at Shaw House, Newbury, 1 August - 27 September 2026
Year: 2026
Region / City: Newbury
Theme: Sculpture Exhibition
Document Type: Invitation
Organization / Institution: Shaw House
Author: Jim Crockatt
Target Audience: Artists, Art Collectors, Visitors
Period of Action: 1 August - 27 September 2026
Date of Approval: Not specified
Date of Changes: Not specified
Entrance Fee: £35 per sculptor
Commission: 15%
Number of Sculptures: 90 sculptures
Exhibiting Artists: Limited to 3 pieces per artist
Insurance Requirement: Minimum indemnity of £5 million
Publicity: Shaw House Brochure, Facebook, Instagram, Dreweatts Auction House, Kennett Radio
Visitor Feedback: Positive reviews, annual visitors
Website: www.alteredstatessculptures.co.uk
Exhibition Opening Hours: 11:00 - 16:00
Exhibition Location: Shaw House, Church Road, Newbury, RG14 2DR
Risk Assessment: Required for installation
Stewarding: Available on weekends and 7 days a week
Submissions: To be submitted via template with photographs
Security: Driveways closed from 5pm - 8am
Selling: 15% commission on sales, direct transactions between artist and buyer
Context: Invitation for artists to exhibit large sculptures at Shaw House in Newbury, with details on installation, publicity, and exhibition logistics.
Weston Jerwood Creative Bursaries | Programme and Communications FellowScottish Sculpture Workshop Frequently Asked Questions
Year: 2021-2022
Location: Aberdeenshire, Scotland
Subject: Artist Support, Career Development, Remote Work
Document Type: Frequently Asked Questions
Organization: Scottish Sculpture Workshop
Author: Scottish Sculpture Workshop
Target Audience: Early-stage career artists
Start Date: March 2021
End Date: March 2022
Funding Dependent: Yes
Remote Work: Some flexibility
COVID-19 Measures: Yes, with contingency planning
Support for Carers: Yes
Support for Access Needs: Yes
Post-Completion Opportunities: Unlikely
CV Requirement: No
The Resurgence of Terracotta in Contemporary Nigerian Sculpture
Year: 2025
Region / City: Nigeria
Topic: Contemporary Art, Sculpture
Document Type: Research Article
Institution / Organization: Not specified
Author: Not specified
Target Audience: Art scholars, students, cultural researchers
Methodology: Fieldwork, artist interviews, exhibition observation
Key Concepts: Terracotta, Postcolonial Theory, Material Culture, Indigenous Materials
Period Covered: Nok civilization to contemporary practices
Publication Date: 2025
Research Focus: Revival of terracotta, cultural reappropriation, environmental commentary, decolonial practice
Modelling Lines of Sculptural Thought: Transcription, Archive Intervention and Dialogue with the Sculpture of Carl Plackman
Author: Sheila Gaffney
Discipline: Sculpture; Contemporary Art Theory
Subject: Archival practice, transcription as artistic method, sculptural thinking
Key figure referenced: Carl Plackman (1943–2004)
Institutional context: Huddersfield Art Gallery
Educational context: Slade School of Fine Art; Camberwell School of Arts and Crafts
Art historical context: British sculpture in the late twentieth century
Related exhibition: Beyond Appearances: The Sculpture of Carl Plackman 1943–2004
Referenced theorist: Christopher Bollas
Referenced publication: The Shadow of the Object: Psychoanalysis of the Unthought Known
Referenced artwork: Civilisation as Barbarism (1984)
Practice-based project: To the Table
Research method: Transcription drawing using axonometric projection
Document type: Scholarly essay / artist research reflection
Book introduction. Genesis: Ideas of Origin in African Sculpture
Year: 2023
Region / city: Blombos Cave, South Africa
Topic: African sculpture, Chi Wara, African origin myths
Document type: Exhibition catalog
Organization / institution: Not specified
Author: Not specified
Target audience: Scholars and enthusiasts of African art and culture
Period of validity: 2023
Approval date: Not specified
Date of changes: Not specified
Note: Contextual description
Topics: LoveU Mural Sculpture