№ files_lp_3_process_9_77016
File format: docx Character count: 6159 File size: 51 KB
A document detailing the terms, expectations, and available support for applicants to the Programme and Communications Fellow role at the Scottish Sculpture Workshop, including questions about working conditions, funding, and access support.
Year: 2021-2022
Location: Aberdeenshire, Scotland
Subject: Artist Support, Career Development, Remote Work
Document Type: Frequently Asked Questions
Organization: Scottish Sculpture Workshop
Author: Scottish Sculpture Workshop
Target Audience: Early-stage career artists
Start Date: March 2021
End Date: March 2022
Funding Dependent: Yes
Remote Work: Some flexibility
COVID-19 Measures: Yes, with contingency planning
Support for Carers: Yes
Support for Access Needs: Yes
Post-Completion Opportunities: Unlikely
CV Requirement: No
Price: 8 / 10 USD
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Stone and Bonethe Corpse, the Effigy and the Viewer in Late-Medieval Tomb Sculpture
Year: 15th century
Region / city: Northern England
Theme: Art History, Medieval Tomb Sculpture, Death and Mortality
Document type: Scholarly Article
Organization / Institution: British Library
Author: Jessica Barker
Target audience: Scholars, Art Historians, Medieval Studies Enthusiasts
Period of validity: 15th century
Approval date: Not specified
Modification date: Not specified
Altered States Open Air Sculpture Exhibition at Shaw House, Newbury, 1 August - 27 September 2026
Year: 2026
Region / City: Newbury
Theme: Sculpture Exhibition
Document Type: Invitation
Organization / Institution: Shaw House
Author: Jim Crockatt
Target Audience: Artists, Art Collectors, Visitors
Period of Action: 1 August - 27 September 2026
Date of Approval: Not specified
Date of Changes: Not specified
Entrance Fee: £35 per sculptor
Commission: 15%
Number of Sculptures: 90 sculptures
Exhibiting Artists: Limited to 3 pieces per artist
Insurance Requirement: Minimum indemnity of £5 million
Publicity: Shaw House Brochure, Facebook, Instagram, Dreweatts Auction House, Kennett Radio
Visitor Feedback: Positive reviews, annual visitors
Website: www.alteredstatessculptures.co.uk
Exhibition Opening Hours: 11:00 - 16:00
Exhibition Location: Shaw House, Church Road, Newbury, RG14 2DR
Risk Assessment: Required for installation
Stewarding: Available on weekends and 7 days a week
Submissions: To be submitted via template with photographs
Security: Driveways closed from 5pm - 8am
Selling: 15% commission on sales, direct transactions between artist and buyer
Context: Invitation for artists to exhibit large sculptures at Shaw House in Newbury, with details on installation, publicity, and exhibition logistics.
LoveU Buffalo Art Park Open Call for Sculpture and Mural Artists 2026
Year: 2026
Location: Buffalo, NY, USA
Theme: Public art, community empowerment, positivity
Document type: Call for artists / announcement
Organization: River Rock Community Coalition, Inc. (RRCC)
Target audience: Professional and emerging artists, individual or collaborative teams
Submission deadline: March 1, 2026
Project scope: Sculpture and mural installations of any size
Funding: Public and private support, equitable artist compensation
Artistic direction: Positivity, love, empowerment, resilience, mental wellness, community pride
Contact: [email protected]
The Resurgence of Terracotta in Contemporary Nigerian Sculpture
Year: 2025
Region / City: Nigeria
Topic: Contemporary Art, Sculpture
Document Type: Research Article
Institution / Organization: Not specified
Author: Not specified
Target Audience: Art scholars, students, cultural researchers
Methodology: Fieldwork, artist interviews, exhibition observation
Key Concepts: Terracotta, Postcolonial Theory, Material Culture, Indigenous Materials
Period Covered: Nok civilization to contemporary practices
Publication Date: 2025
Research Focus: Revival of terracotta, cultural reappropriation, environmental commentary, decolonial practice
Modelling Lines of Sculptural Thought: Transcription, Archive Intervention and Dialogue with the Sculpture of Carl Plackman
Author: Sheila Gaffney
Discipline: Sculpture; Contemporary Art Theory
Subject: Archival practice, transcription as artistic method, sculptural thinking
Key figure referenced: Carl Plackman (1943–2004)
Institutional context: Huddersfield Art Gallery
Educational context: Slade School of Fine Art; Camberwell School of Arts and Crafts
Art historical context: British sculpture in the late twentieth century
Related exhibition: Beyond Appearances: The Sculpture of Carl Plackman 1943–2004
Referenced theorist: Christopher Bollas
Referenced publication: The Shadow of the Object: Psychoanalysis of the Unthought Known
Referenced artwork: Civilisation as Barbarism (1984)
Practice-based project: To the Table
Research method: Transcription drawing using axonometric projection
Document type: Scholarly essay / artist research reflection
Book introduction. Genesis: Ideas of Origin in African Sculpture
Year: 2023
Region / city: Blombos Cave, South Africa
Topic: African sculpture, Chi Wara, African origin myths
Document type: Exhibition catalog
Organization / institution: Not specified
Author: Not specified
Target audience: Scholars and enthusiasts of African art and culture
Period of validity: 2023
Approval date: Not specified
Date of changes: Not specified
Note: Contextual description
Topics: FellowScottish Jerwood Sculpture