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Scholarly analysis of Taika Waititi’s film Boy (2010) examining representations of Māori identity, masculinity, nostalgia for 1980s popular culture, and the use of fantasy sequences within the broader context of contemporary New Zealand and Indigenous cinema debates.
Author: Andrea Wright
Affiliation: Edge Hill University
Year: 2010
Subject: Film studies; Indigenous cinema; screen representations; Māori identity; masculinity; national cinema
Type of document: Academic journal article
Object of analysis: Boy (2010) directed by Taika Waititi
Geographical context: New Zealand
Cultural focus: Māori culture and representation in cinema
Historical context: New Zealand cinema development since the 1970s and the 1980s popular culture referenced in the film
Keywords: Boy; Indigenous cinema; screen representations; Māori identity; masculinity; national cinema; popular culture; coming-of-age narratives
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