№ files_lp_4_process_2_64960
Empirical research article analyzing how British theatre audiences attribute value to performances through both quantitative and qualitative data across multiple case studies and theatre venues.
Year: 2013-2014
Region / City: United Kingdom, London; Stratford-upon-Avon; Plymouth
Topic: Theatre spectatorship and cultural value
Document type: Research article
Organization: British Theatre Consortium (BTC)
Authors: Chris Megson, Janelle Reinelt
Target audience: Academics, theatre practitioners, cultural policy researchers
Research project: Theatre Spectatorship and Value Attribution (TSVA)
Methodology: Mixed methods (quantitative surveys and qualitative interviews/workshops)
Case studies: Samuel Beckett’s Happy Days (2014), David Greig’s The Events (2013)
Number of participants: 317 spectators
Data collection periods: Pre-performance, post-performance, two months follow-up
Key theatres: Young Vic, Royal Shakespeare Company (RSC), Theatre Royal (Drum)
Price: 8 / 10 USD
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