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Analysis of literary and historical sources examining how the fragmented mannequins in Émile Zola’s Au Bonheur des Dames reflect human identity, gendered objectification, and the dual experience of excitement and estrangement under modernity.
Year: 2021
Author: Kate Foster
Affiliation: King’s College London, London, UK
Email: [email protected]
ORCiD: 0000-0001-9347-1036
Keywords: Au Bonheur des Dames, mannequin, identity, body, Zola-Zolian, modernity
Type of document: Academic article
Discipline: Literary studies / Art history
Subject: Representation of human identity and fragmentation through mannequins in literature
Language: English
Publication: Queer(y)ing Bodily Norms in Francophone Culture, Peter Lang
Price: 8 / 10 USD
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